Unleashed Sketch 189 | Schizzo scatenato 189

Unleashed Sketch 189
Unleashed Sketch 189 | Schizzo scatenato 189, pastel, pencil, ball pen and marker on paper, 2013

A new unleashed sketch, just finished. This one is larger, on light gray paper.

Unleashed Sketch 188 | Schizzo scatenato 188

Unleashed Sketch 188
Unleashed Sketch 188 | Schizzo scatenato 188, pastel, pencil, ball pen and marker on paper, 2013

A new unleashed sketch, just finished. This one is larger, on light brown paper.

Old sketch 27, Hot soup 5 | Zuppa calda 5

Old Sketch 27
Hot Soup 5 | Zuppa calda 5, mixed media on paper, 1988

This one is gouache, pencil and pastels, the fifth of the Hot Soup series. Doodled in Budapest, 1988.

Questo è tempera, matita e pastelli, il quinto della serie Zuppa calda. Scarabocchiato a Budapest, 1988.

Still Life With Pineapple & Flute | Natura morta con Ananas & Flauto

Still Life With Pineapple & Flute | Natura morta con Ananas & Flauto
Still Life With Pineapple & Flute | Natura morta con Ananas & Flauto, acrylic on canvas, 25×50, 2004

Sketch for Portrait of Anchorman | Schizzo per Ritratto Conduttore

Sketch_x_PortraitOfAnchorMan
Sketch for Portrait Of Anchorman | Schizzo per Ritratto di Conduttore, pastel, pencil and ball pen on paper, 2013

This is a pastel, pencil & ball pen on paper sketch for a larger acrylic and marker on canvas painting.

Hot Air Recipes 1 | Ricette per la frittura dell’aria 1

Here is the first one of a series of Recipes About Air Heating, which is so popular among critics and art-writers in general.

Cardboard Towns“Hypnagogic fragments of inner banlieues, crumbled cosmologies of conjectural big bangs wandering over a post-Hopper-esque metropolitan Arcadia. Theese are the acrylic perspectives that Marco B., aged enfant terrible of animation movies, opens wide through his canvas with a seemingly playful, long-winded game, where titles – apotropaic tool against all self-worship – sail the long waves of dadaist (before) and surrealist (then) lesson. Suggesting tensions, semantic displacements in the everlasting polemos – so called – between imago and verbum – between occipital cortex and Broca’s area. Ridentibus arrident humani vultus, as Horatius says. Now – I beg your pardon, but I have to finish my second portion of spiced tripe.”

Callisto Anselmo Facchi, in “Contemporary Art & Soup”, n° 23, 2007

Inizia oggi una serie di ricette per la frittura dell’aria, molto popolari tra i critici e chi scrive di arte in generale.

“Scampoli ipnagogici di banlieues interiori, detritiche cosmologie di big bang ipotetici erranti al di sopra di un’arcadia metropolitana posthopperiana: sono queste le prospettive acriliche che Marco B., maturo enfant terrible del cinema d’animazione, spalanca sulle sue tele in un’apparente logorrea giocosa, i cui titoli – strumento apotropaico di ogni egolatria – veleggiano sulle onde lunghe della lezione dadaista prima e surrealista poi a suggerir tensioni, spostamenti semantici nel polemos eterno – o presunto tale – tra imago e verbum, tra corteccia occipitale e area di Broca. Ridentibus arrident humani vultus, per dirla con Orazio. Ora scusatemi, ma devo finire la seconda porzione di trippa.”

Callisto Anselmo Facchi, in “Contemporary Art & Soup”, n° 23, 2007

Nothing Special | Niente di speciale

Nothing Special | Niente di speciale
Nothing Special | Niente di speciale, acrilic on cardboard, 35×50, 2005

Unleashed Sketch 187 | Schizzo scatenato 187

Unleashed Sketch 187 | Schizzo scatenato 187, pastel, pencil and marker on colored paper, 2013
Unleashed Sketch 187 | Schizzo scatenato 187, pastel, pencil and marker on colored paper, 2013

A new unleashed sketch, just finished. This one is larger, on light blue paper.

Scenography sketch 3 | Studio di scenografia 3

Scenography sketch 03 03
Scenography sketch 03 | Watercolor, crayon and pastel on paper, 2010

Here is the third of the sketches for the scenographies for an animated feature film project we are still developing at the studio. Some more sketches, and some more details about the movie, will be posted later on.

Ecco il terzo di una serie di studi per le scenografie per il progetto di lungometraggio d’animazione che stiamo sviluppando attualmente allo studio. Altri verranno pubblicati più avanti, insieme a qualche dettaglio in più sul film.

Brown Paper Sketch 41 | Schizzo da pacchi 41

BrownPaperSketch41
Brown Paper Sketch 41 | Schizzo da pacchi 41, pastel, pencil and ball pen on brown paper, 2013

Brown paper sketch, just in case.

Unleashed Sketch 186 | Schizzo scatenato 186

Unleashed Sketch 186
Unleashed Sketch 186 | Schizzo scatenato 186, pastel, pencil and ball pen on colored paper, 2013

A new unleashed sketch, just finished.

Unmissable promotion | Imperdibile promozione

Unmissable promotion | Imperdibile promozione
Unmissable promotion | Imperdibile promozione, acrylic on canvas, 80×120, 2006

Updated Post – enhanced image.

Post aggiornato – immagine migliorata.

Unleashed Sketch 185 | Schizzo scatenato 185

Unleashed Sketch 185
Unleashed Sketch 185 | Schizzo scatenato 185, pastel, pencil, ball pen and marker on paper, 2013

A new unleashed sketch, just finished.